August Performers | Video Overview

by Michael Donley
One of the perks of the summer months is that we are able to grab some great touring artists that are hitting the festivals and doing some "vacation touring". Once again we are very happy to present quality indie performers this August, so be sure to have a look through their videos, music and all their websites have to offer. Catch a show this month at the cafe and enjoy our new patio in person or if you live out of town check out the live stream - every Saturday night!
If you missed out on a show this last month have a look through clips from all our past shows.
Nuuka & Bed of Stars - AUG 4th - 7pm (PST)
Nuuka is a Kelowna based band who in a very short time of been making waves in the local scene. Known as Indie/Pop/Rockers with strong melodies, catchy hooks and harmonies, Nuuka will have your ears and maybe even your hands and feet.

Bed of Stars is the outlet for the passionate and talented Evan Konrad, a twenty-two-year old prodigy from British Columbia with a flare for sensationalizing the emotive qualities of music. He recently worked with Juno-nominated producer Daniel Victor, the man behind the chart topping collaborative project known as Neverending White Lights. He collaborated with NWL for the video Falling Apart that was nominated for  Video of The Year at the 2012 SiriusXM Indie Awards !



Ali Milner - AUG 11th - 7pm (PST)
Very happy to have to Ali Milner at the cafe - at 21 years old, she has already been recording and performing for eleven years. Ali just completed 8 weeks on the CBC reality television show, Cover Me Canada placing third out of thousands of applicants.
 


Indio Saravanja w/ Jason Lowe  - AUG 18th 7pm (PST)
Indio Saravanja - born in Argentina and raised in the Canadian North, this one time actor/dancer/singer from a blue collar background (see Billy Elliot) was busking in Montreal subways by the age of fifteen, performing as a street musician in Spain by seventeen, and, at nineteen, doing his first real gig in New York, courtesy of his friend Jeff Buckley. He most recently won First Place at The 2012 Calgary Folk Festival Song Competition.

Special guest Jason Lowe the 23year old composer from Jan Juc Australia, walks his own individual path throughout the arts, and the planet. Currently in Canada, Jason is out to promote and tour his brand new Self titled album for the most part of 6 months or more before then returning home for a long line of touring in his homeland.




Matt Epp & Adrian Glynn -  AUG 25th - 7pm (PST)
Aug 25th is going to be an amazing show from two talented singer/songwriters.
Winnipeg's Matt Epp regards himself as a writer of songs that he describes as "soulful folk." "Matt Epp is simply one of the best of a this new generation of fine songwriters" - Gary Cristall, Vancouver Folk Music Festival 2010

In a music world littered with singer-songwriters, Adrian Glynn stands apart. The Vancouver-based troubadour takes any opportunity to defy convention: he has turned murder ballads into spell-binding, microphone-free serenades, and abandoned the standard rock band setup in favour of suitcase kick drums and clawhammer piano strings.

Matt Epp and Adrian Glynn

by Malcolm Petch
August 25th marks one of Streaming Café’s two-artist shows, a new tradition for us here at SC. Many-appearance Adrian Glynn from Vancouver will be paired with Winnipeg’s Matt Epp.


Matt Epp has hit the ground running over the last several years. Rather than eking along as a part-time musician and part-time something else-that-pays-the-bills, Epp chose to dive in with both feet and both hands, writing, recording, and touring full-time. Five albums over nine years, with a new one in the works, have given Epp a repertoire of original music that rivals any ‘big-label’ artist.

He’s also got one of the coolest websites I’ve seen for a singer/songwriter (http://www.mattepp.com).


There’s a greater pop sensibility in Epp’s songs than there is in a lot of artists who identify themselves as folkies (and Epp does identify himself amongst that genre: he calls his songs “soulful folk”).  Pop sensibilities? Yes. The tunes have memorable hooks both musically and lyrically, and they’re recorded for the most part with fairly fully fleshed-out full-band arrangements. Perhaps rock sensibilities would be a better term, but the angelic background vocals and string parts on several tracks would survive better in the pop world than they would in the rock world.  Epp’s bio describes him as liking Dylan, Young, Cohen, and Jonathan Richman, and seeing himself in their tradition, and that is evident in his songs; but there are definitely more contemporary elements as well in Epp’s arrangements and vocal stylings. I would even say I heard shades of Coldplay as I listened, but I wouldn’t want to be insulting to Matt (and I wouldn’t want to admit that I know what Coldplay sound like…). Fact is, I really liked Matt’s songs as I went through them to get to know him and his art.

Again about the website: if you’d like to get a good understanding of what drives Matt Epp, check out his music right on his website. You’ll see what I mean about the coolness of his site, and as the music cascades from track to track you’ll be hard pressed to not click on the ‘buy on iTunes’ link…

Matt Epp is a true artist, dedicated to his craft as a performer and songwriter. An evening of his music would be a wonderful way to spend a Saturday night.

Adrian Glynn has spent time at SC on several occasions in the past, each time in a slightly different guise. His song “Bruise” is showcased on his Previous Performances page, and the video is an example of the work ethic Adrian brings to his music: while other artists would perhaps bring a stomp box to add rhythm to their guitar playing, Adrian brought a full kick drum to bang on while he was playing and singing.


Glynn is known for his ballads and intriguing lyrics. In 2010, part of Glynn’s touring involved musical and literary events in the UK, and the Word! Festival in Leicester described his show as “…funny, charming, and shockingly brilliant… the lyrics are poems, and the performance astonishing.” CBC Radio3 host Grant Lawrence named Adrian Glynn as his “act to see” at the Pop Okanagan festival in 2011.


Anyone who’s seen Adrian Glynn at SC will rightfully expect a solid and engaging performance by this stage veteran. Coupled with Matt Epp, this will be a night well worth the entrance fee (and yes, of course, this show is free… but it’d still be worth it even if you had to pay for the tickets!). Live in-person and online at 7pm, Saturday, August 25th. 

"Fiery Redhead" Ali Milner

by Malcolm Petch

Cover Me Canada 2012 (third place). Lilith stage Summer 2010. Closing ceremonies for the 2010 Paralympic Games. JunoFest 2009. CBC Radio 2 and Radio 3.

Chances are you’ve seen and heard Ali Milner on TV or on the radio sometime over the last couple of years.

Most recently she showed up as the fiery redhead with the hot band on the reality show “Cover Me Canada”. (Actually, she always shows up as a fiery redhead). Ali Milner is climbing the tracks of awareness these days, letting her smooth voice and keyboard talents speak for themselves while her visual presence makes its own mark.

Ali is 22 years old. Her first album (Ali Milner) came out in 2005. If you do the math, you can see that she was 15 when that album debuted on the Venus/EMI label. And here’s a further kicker: Ali already had five years of experience under her belt when she released that album.

It’s a rarity to find someone in his or her early twenties who already has a decade of performing experience in hand. What does that mean? Well, it’s clear from the first notes of her music that this is someone who is not a flash-in-the-pan; this isn’t some college student who’s decided that she’d like to start writing songs and singing as something fun to do on the weekend. Ali Milner is very obviously focused on her music as a career. Her vocal agility shows that she’s logged a lot of time in practice sessions and, very likely, in training sessions as well. Her pitch is strong, stable, and well-defined, and her confident piano work supports her voice with understated assurance.

In 2009 Ali recorded her second album, I Dare You, and did it all live-from-the-floor to tape, adding strings and horns in post-production. That’s the kind of recording that a veteran jazz performer might elect to do, someone who knows what they want to play and when they want to play it. You can hear the music yourself on her website – you’ll find that the finished product is tasty and engaging, trailing elements of jazz and soul through pathways of pop that catch your ear on the first listen.

After Milner’s successful appearance on “Cover Me Canada”, it’s crystal clear that Ali’s live performance skills are up there with the best of those who’ve already logged a decade as a performer.  Among other cover tunes she performed, she sang “Black Velvet” as a duet with Alannah Myles during the seventh episode of the series.

And we get to have Ali here at Streaming Café on August 11, with one of the bonuses being that at Streaming Café Milner will be performing a lot of her own songs, rather than the covers she had to perform as part of the TV show.

Milner’s Kelowna appearance will be one of a number she’ll be involved in during her week in the Kelowna area. She will discover what we all know: Whistler’s great, but there’s no place like Kelowna! And when she’s done here she’ll be heading back to her home base of Vancouver for the first Peak Performance Project showcase of the fall season.

We invite you to take in this special appearance by a Canadian artist who’s going to be making her mark more and more on the national and international scene. With the intimate listening-room setting of Streaming Café, this will be a rare up-close-and-personal performance that you’ll want to be part of. C’mon, you know you’ll be kicking yourself if you miss this one! August 11 at 7pm, live in-person at 596 Leon Ave in Kelowna, or live online at streamingcafe.net

Wax Mannequin-Madame Tussauds would not be happy

by Malcolm Petch
Madame Tussauds would not be happy with Hamilton-based Wax Mannequin: he shape shifts as readily as a wizard’s wand on a day off in the country. That’s not usually a desired trait in a sculpture of wax.

Wax Mannequin, the stage name of indie singer-songwriter Chris Adeney, embraces a genre he calls “Strange-Folk”, and it’s clear he’s not losing sleep trying to fit into someone else’s definition of what makes a successful touring music act. And therein lies the beauty: the freshness of Wax’s writing is unencumbered by presumption and pretending. His lyrics – sometimes abstract, other times apparently just absurd – show a mind ready and willing to step outside the circle of “same-old, same-old” in order to capture whatever is needed to continue the ever-expanding scope of expression Wax obviously enjoys.

Like any good recording artist, Wax’s early work consisted of four-track recordings made with nylon-stringed guitar and circuit-bent electronics (that’s when you take some toy like a “See ‘n Spell” and tweak its electronic innards until it emits controllable squawks that can be used in music-making…). And when he started playing bars in the southern Ontario region in the early 2000’s, that’s the type of music he put on display – very much a performance artist as well as a musician. His second album, entitled and Gun, came out in 2003 as Wax started travelling outside his standard geographical playing locations.

As his music-touring region grew, so did his volume of expression; by 2004 Wax was waxing eloquent with distorted electric guitars and “bombastic” electronic accompaniment. The shape shifting was underway. His two albums from that period (2004’s The Price and 2007’s Orchardand Ire) are full band-backed records that reflect that louder passion.

2009 saw another shift, with a record entitled Saxon that was decidedly contemplative when compared to Wax’s previous two albums.  A focus on melody and deeper lyrics overshadowed the loud energy of earlier work, and the album earned a growing following for Wax Mannequin in Europe. The following is growing so much, in fact, that Saxon was re-released on Germany’s Artful Sounds record label.

The latest album from Wax’s arsenal, No Safe Home, reflects an even more intense shape shift to a wandering muse theme, and is even a further move along the scale away from loud electric to ambient acoustic. Wax’s own PR writing calls No Safe Home a “…hauntingly spacious, sparsely produced acoustic record”, and it’s clear even from the album title that Wax has found more resonance in travelling with his music than he has in staying home.

From a 2009 interview in Exclaim! Canada: “For nearly a decade, Hamilton ON's Wax Mannequin has toiled in relative obscurity, bringing his amalgam of electro-folk and post-modern classic rock to different continents and as many real and makeshift venues as possible. That hard worn, roundabout path brings us to the masterful Saxon, an earnest batch of songs, most of which are performed on classical guitar and blend Wax Mannequin's trademark theatricality and darkly humorous perspective like nothing he's ever issued.“

And Wax Mannequin will make his StreamingCafé debut on July 28th. This seems like a perfect match: an acoustic yet electronic singer-songwriter taking stage on the folk-ish wood-wall stage of SC and being streamed digitally live around the world.

Well worth the trek to Streaming Café! Live in person at 596 Leon Ave in Kelowna, or online at streamingcafe.net; in either case, it all happens at 7pm Pacific time. Hope to see you there!

Germany's Sarah Brendel | North American Album Release

by Malcolm Petch

At Streaming Café we tend to develop long-term relationships with some of our favourite artists. One of those becoming a regular fixture here is Sarah Brendel, who will be joining us on July 7th.

What’s different about this long-term relationship, though, is that Sarah is from Germany, and her town of Dresden is a looong way from us here on the western-most side of North America.

Brendel is touring in support of her new album, Before the Mountains, which has just been released. In contrast to the produced layers of instruments on some of her earlier work, …Mountains is all what-you-see-is-what-you-get, with vocals, guitar and drums all recorded live-from-the-floor with no overdubs. The result is a faithful representation of a live Brendel performance, with both grit and poignancy coming through clearly.

Before the Mountains was produced by Brendel’s friend Arno Jordan, and recorded in the German artist-community facility where both Brendel and Jordan live with their respective families. The rustic retreat centre that both their families call home is a large manor house, or Schloss, that is set in the tiny hamlet of Rhorsdorf on the outskirts of Dresden (made famous in Kurt Vonnegut’s 1969 novel Slaughterhouse-Five). The castle-like centre houses several different families who have gathered together as part of an artistic community. There’s an in-house pub, too…

photo by Hanna Stober

Sarah Brendel has graced the wood wall at Streaming Café in July 2010 and again in August of 2011 (seems to be a summer-time theme happening here…). “Graced the wood wall” means she’s played here. And already in 2012 she’s been part of the Lille Gard music fest, playing alongside other international and regional artists in the outdoor Canada-Day weekend festival hosted by Tribehouse.


Before the Mountains is definitely a full-length album. Some of the 15 tracks are fresh recordings of tunes that have been featured in Sarah’s earlier performances here at Streaming Café, while most are new to listeners everywhere. There are definite influences showing on this recording, whether intentionally or unintentionally, and it doesn’t take a hard stretch of imagination to hear shades of Larry Norman and even Sgt. Pepper floating to the surface in different songs. In fact, there are a couple of song intros that might even leave you thinking you’re about to hear a Johnny Cash tune; but it develops into a Brendel original, of course.


One of the joys of hearing live music is being able to groove along to songs you already know; often a new album-release tour show involves old faves interlaced among the new tunes, so that concert-goers can get their fill of tunes they already know plus get exposure to the new tracks. But in this marvelous digital age, Sarah Brendel fans can get a listen to the new album ahead of time (and even buy it, of course) by following this link to Before the Mountains posted on the SC website.


Check out Sarah Brendel’s new album, enjoy some of the live videos of her previous SC performances, and then make a date with yourself (or someone you like) to see and hear this energetic German singer-songwriter live at Streaming Café on July 7th; as always, show starts live in person and online at 7pm Pacific time.


Here's the video "What A Happy Life" from here new album that was filmed in Dresden.