We have something for all levels of coffee geek and have put together a few gift packs to save you time and money.
Come down to the cafe for all your festive coffee needs and check out our online store!
Merry Christmas and Happy BrewYear!
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| ASHEN on itunes |
There was a full house at SC this past Saturday, and an out-of-town visitor asked me about the pre-show music.
A piece of music can be listened to over and over – understood and loved by its listener. And then the piece is heard live, and another level of understanding and appreciation is opened up. This is indeed true for Krief. Through the live performance of his music, you can see with your own eyes the skill and talent he has as a musician, and the passion he has for his song‐writing as he belts out the heart felt, intensely personal lyrics. Armed with a collection of 10 soul bearing tracks from his latest solo offering, Hundred Thousand Pieces, Krief is ready to hit the road and take his music to the masses. Kicking off in Winnipeg, MB on September 5, he will head west on a nine‐city Canadian tour, bringing his songs to life on the Streaming Cafe stage on Thursday, Sept. 13th..
Matt Epp has hit the ground running over the last several years. Rather than eking along as a part-time musician and part-time something else-that-pays-the-bills, Epp chose to dive in with both feet and both hands, writing, recording, and touring full-time. Five albums over nine years, with a new one in the works, have given Epp a repertoire of original music that rivals any ‘big-label’ artist.
Adrian Glynn has spent time at SC on several occasions in the past, each time in a slightly different guise. His song “Bruise” is showcased on his Previous Performances page, and the video is an example of the work ethic Adrian brings to his music: while other artists would perhaps bring a stomp box to add rhythm to their guitar playing, Adrian brought a full kick drum to bang on while he was playing and singing.
Cover Me Canada 2012 (third place). Lilith stage Summer 2010. Closing ceremonies for the 2010 Paralympic Games. JunoFest 2009. CBC Radio 2 and Radio 3.
by Malcolm Petch
The latest album from Wax’s arsenal, No Safe Home, reflects an even more
intense shape shift to a wandering muse theme, and is even a further move along
the scale away from loud electric to ambient acoustic. Wax’s own PR writing
calls No Safe Home a “…hauntingly
spacious, sparsely produced acoustic record”, and it’s clear even from the
album title that Wax has found more resonance in travelling with his music than
he has in staying home.![]() |
| photo by Hanna Stober |